CaiHua

Caihua, or "colour painting", is the traditional Chinese decorative painting or polychrome used for architecture and one of the most notable and important features of historical Chinese architecture. It held a significant artistic and practical role within the development of East-Asian architecture, as Caihua served not only decoration but also protection of the predominantly wooden architecture from various seasonal elements and hid the imperfections of the wood itself. The use of different colours or paintings would be according to the particular building functions and local regional customs, as well as historical periods. The choice of colours and symbology are based on traditional Chinese philosophies of the Five Elements and other ritualistic principles. The Caihua is often separated into three layer structures; timber or lacquer layer, plaster layer, and pigment layer.
 

To play, press and hold the enter key. To stop, release the enter key.

Forbidden Window

Forbidden Windows are flat ornate Chinese-themed building elements consisting of a wine-red lattice and a golden frame. They behave like windows in Creativerse, in terms of being able to auto-connect to other Forbidden Windows (but not to any other windows nor lattices).
 

To play, press and hold the enter key. To stop, release the enter key.

Tian-tsui

Tian-tsui is a style of Chinese art featuring kingfisher feathers. For 2,000 years, the Chinese have been using the iridescent blue feathers of kingfisher birds as an inlay for fine art objects and adornment, from hairpins, headdresses, and fans to panels and screens. While Western art collectors have focused on other areas of Chinese art including porcelainlacquer ware, sculpture, cloisonnesilk and paintings, kingfisher art is relatively unknown outside of China.
 

To play, press and hold the enter key. To stop, release the enter key.

Cloisonne

Cloisonne is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonne enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonne. The decoration is formed by first adding compartments to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonne enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the shape of each cloison.
 

To play, press and hold the enter key. To stop, release the enter key.

Textile with Floral Medallion

The “treasure floral medallion” on this textile is one of the most popular designs of the Tang dynasty. The design, which consists of a composite blossom at center surrounded by a quatrefoil pattern on the four sides, is used not only in textiles but also in metalwork and ceramics. Its structured rendering reflects West and Central Asian artistic traditions introduced to China via the fabled Silk Road.
 

To play, press and hold the enter key. To stop, release the enter key.

Chinese Embroidery

Chinese embroidery refers to embroidery created by any of the cultures located in the area that makes up modern China. It is some of the oldest extant needlework. The four major regional styles of Chinese embroidery are Suzhou embroidery (Su Xiu), Hunan embroidery (Xiang Xiu), Guangdongembroidery (Yue Xiu) and Sichuan embroidery (Shu Xiu). All of them are nominated as Chinese Intangible Cultural Heritage.
 

To play, press and hold the enter key. To stop, release the enter key.

To play, press and hold the enter key. To stop, release the enter key.